Release Date: 10th June 2016 (Island Records)
We were very excited for the debut release from the new boys on the block, Spring King after seeing them headline the Boileroom last month (Check it out here) and seeing the success and hype generated from hit singles such as ‘City‘ and ‘Rectifier‘. And it is safe to say that we were not disappointed.
The debut kicks off with the signature pounding drums that Tarek Musa masters so well accompanied by a fitting heavy bass line for the opening track ‘City‘. This is a care-free danceable track with the freeing lyrical hook ‘Who am I what does it matter?’ – Perhaps these boys foolishly believe they’re still in the small leagues, or maybe they are embracing their shooting success with an uncomprimising attitude.
We are then graced with the irresistibly catchy hits such as ‘Detroit‘. This pre-released hit along with the fan-favourite ‘Summer‘ pain a fuzzy picture of the romanticized, chaotic, British summer experiences of one’s youth that we just love to reminisce of. The next track, ‘Who Are You?‘ tells a more cynical tale, with relentless garage-rock guitar and bass lines keeping it alive. Spring King then continue to intertwine gloomy-punk undertones into their energetic anthems in songs such as ‘Demons‘ and ‘It’s so Dark‘, a quality of this band that is flourishing with great responses. At this point, it could be said that Spring King may be suffering from an identity-crisis, with a seemingly endless melting-pot of influences and musical styles bouncing off each other throughout this album, but these boys shouldn’t be criticised for that. ‘Tell Me If You Like To‘ is a powerful, and solid establishing debut album, one that oozes more confidence than most being released right now. It does a good job of demonstrating that they are not the standard 16-year-old-indie-phase band that they could be accused of being at first glance – they are much more, and go much deeper.
The pre-released track ‘Rectifier‘ leads the charge of establishing what Spring King are all about. The seemingly chaotic but in reality genius arrangement of floor-shattering drums, heavy indie-rock guitar lines and Tarek to-the-point vocals makes for a highly danceable track, and a chorus that makes for a perfect British-style drunken chant. This track is also outrageous live.
Some bands are just made to be heard live, and it is always hard to capture the mad on-stage energy in professional recordings of these bands, but Spring King have taken a solid stab at it and this is only the beginning of what’s yet to come.