Knitting and Ray Romano may not seem like central parts of the typical band, but the lads that make up Vertigo are not typical. They may not be a household name yet, but they are definitely on track to being so. In less than a year of performing together Vertigo have become a mainstay of Brisbane’s Fortitude Valley precinct, known to pull large crowds on days when everywhere else seems to be dead.
Through this live exposure Vertigo managed to broker a deal with The A&R Department, known for their work with Harts, Meg Mac and SAFIA, and ultimately grab some studio time at Airlock Studios to record a few tracks for their upcoming EP ‘No Feeling is Final’.
We had a chance to sit down with singer Hamish, and guitarist James, to talk all things Vertigo. The lads, who met at high school, with the exception of bassist Hugh, have recently released their lead single ‘Get Away’. The track begins with an energetic guitar riff, joined by rapturous bass and the powerful drums of Nelson, before settling down into the bass driven verse of the song. The vocals of Hamish fit exquisitely amongst the distinctly heavy instrumentals of this tune, which is akin to ‘The Hunter’ by Slaves with markedly better vocals.
The lyrics of the track, written collectively by the boys, are quite poignant, pleading a friend to leave a corrosive relationship. Despite the subject matter of the song, Hamish told us that while the realism of the song makes it appear to be based in personal experience, it was not. James then said “We were writing it like it was a pretty generic human experience.”
‘Get Away’ was one of the first tracks the lads wrote when they were first starting out, back in March 2015. As Hamish quipped, “Our writing has definitely matured a lot since then”. They credit this maturity to having performed live. According to James “they were writing really elaborate, debatably self-indulgent music” prior to performing live. The experience of gigging on a stage has taught the boys how to work a crowd, using the reception of each song to adapt their set list.
The lads opened up about playing a private gig at a 50th, and how they managed to cater to that very different audience. “We played a 50th the other week… for this big country family. So we were like ‘we should probably learn some Johnny Cash. So we learnt ‘Ring of Fire’. When we were learning we were like what the fuck are we doing. What has Vertigo become. But then we whipped it out live and the crowd went wild… We played it twice and it went off even bigger the second time.”
Johnny Cash may never be heard again, at least not from these blokes, but it highlights the emphasis that Vertigo have put on performing live and creating a great show for their fans.
Vertigo not only care deeply for performing, and for their fans, but they also have a deep bond amongst themselves. Hamish highlighted this when he said “It’s like being in a relationship with three guys.”
The boys clearly get along. My afternoon of sitting with Vertigo was filled with laughter and jokes, often at the expense of themselves and their hobbies. Hugh spent the weekend they recorded ‘Get Away’ learning how to knit, since he had recorded the bass early and had time to kill. Or at the expense of those surrounding them. Prior to their first gig at Rics, James’ Mum ignited the bands light obsession with Ray Romano, often referring to the Brisbane venue as Ray’s. This collective joy of their creative process bodes extremely well for future performances and for their upcoming EP ‘No Feeling is Final’. They are definitely a band to watch in the future thanks to their collective drive to make great music, and have a good time while they do it.
They will be playing at The Brightside’s Homegrown Battle of the Bands in Brisbane on March 15th and at Blackbear Lodge of April 23rd.
Keep an eye out for their upcoming single ‘Velvet Revolution’, and their EP ‘No Feeling is Final’, both coming out later this year. You can also keep up to date with all things Vertigo here