LIVE REVIEW. Saint Etienne at Gateshead Sage 2

Date: 8th June 2017
Venue: Gateshead Sage 2
Genre: Dance-pop
Words & Photography:  Victoria Ling – Victoria@137imaging.co.uk

There was definitely a lot in the air up and down the country on June 8th 2017.  Yes, that election had a lot of people talking and got the country buzzing with passion and as we waited for Saint Etienne we had the words “skilled musicians with over twenty five years experience” and “for the many not the few” pop up on the screen above the stage adding to the atmosphere.  The band then enters and as the music begins even Sarah Cracknell says we have her permission to leave the gig to go and vote. What a way to start a show as they burst into ‘Lose That Girl’ that seems to be a crowd favourite.  We are given a great range of the back catalogue but they have also recently released the ‘Home Counties’ album – an album taking in the day to day snapshot of life in the home counties and it is not until the fourth number do we delve into that album with ‘Whyteleaf’ going into ‘Magpie Eyes’ and they are received greatly.

SE2.jpgWe know Saint Etienne as Bob Stanley, Pete Wiggs and of course Sarah but on this tour they have an expanded band that add a new edge to the performance. It is noted they normally travel with a cello player who is missing tonight but multi instrumentalist Joe more than makes up for this as he moves onto the violin now and then and also long time backing vocalist Debsy gets a huge roar of approval from the lively audience as does the feather boa that Sarah wraps around her neck time and again. And after a few pleas one gig-goer gets his prayers answered with ‘Like A Motorway’. In fact the audience for most part really added to the atmosphere. In many cases when many talk/shout throughout a gig it can be a spoiler but for some reason this night bar a few occasions it made the night have that extra edge and the interaction, especially from Sarah could not be faulted as her replies to the crowd and even at one point a dedication to a guy that runs up to the stage with arms and voice raised is adorable.

This is the second time I have seen Saint Etienne live and both being at The Sage. The first time was dubbed as a Christmas show and received mixed reactions and in a sense I think there was something missing that night although I thoroughly enjoyed it but this tour we could not have asked for more. From the opening number to the closing one every single part of the set list was perfect. Everything just seemed to fit. Although Sarah is the front woman every member on the stage shone, even if you couldn’t see them you could feel them that really, forgive the pun but ‘NOTHING CAN STOP US’ from enjoying a Saint Etienne show when every part of the show just flowed as it did on this night.


Listen to ‘Home Countries’ here

Remember to give Saint Etienne some love on Facebook and Twitter

 

Through the eyes of Lil Vik

LIVE. Natalie Imbruglia in London

Date: 11 May 2017
Venue: Union Chapel, London
Genre: Pop
Words and photography: Victoria Ling (Victoria@137imaging.co.uk)

Having released her album of male covers aptly titled ‘Male‘ in 2015, Natalie Imbruglia toured as a support to Simply Red but never quite got on the road herself.  Fast forward to May this year and she finally hit the road for her own headline tour around Europe, with an extra date added to London as tickets for the first date were like hot cakes and sold out Union Chapel almost too quickly.

I was very excited for this gig, as although Imbruglia’s career has been going strong since her first single, and absolute anthem ‘Torn’ in 1997, I have only seen her live as support, so I was pretty ecstatic when my friend and I got tickets. We arrived just before 6pm and the queue to the venue was already the full length of the street. There was a definite buzz in the London air. As soon as people took to their pews they were beaming as Union Chapel had you in awe.

As lights went down and the band took to their places the introduction had the audience on tenterhooks then there was a pause and Ms Imbruglia stepped onto the ‘stage’ with a ‘good evening’ to the crowd who were half and half ‘do we sit or do we stand’ in the church as ‘Wrong Direction’ started the night. As pews were quite tight we were in the mutual feeling to stay seated but that did not dampen the mood and when we were urged we clapped and sang along moving our bodies as much as we could. There really could not have been a more perfect venue to match the sounds of this Acoustic Tour, as people murmured around me, “I knew she could sing but she just sounds so much better,” as hits from all her albums were being delivered to us, such as ‘Stuck On The Moon’ and then breaking hearts into a million beautiful pieces was the cover of Death Cab For Cutie’s ‘I’ll Follow You Into The Dark.’ And this was just the first three songs. With every song there was a little story and with every story there was a whoop from the audience. I could feel the excitement of those around me when their favourites were played.

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A few surprises came and very welcome ones at that. Before the show many of us were discussing what we were hoping she would play and considering her favourite single non-single is ‘Smoke’ that of course made it in, much to the delight of those sitting right next to me. ‘Lukas,’ to me, was the biggest surprise of them all, as it comes from the not so critically acclaimed ‘Come To Life’ album. When you hear this live you do sometimes wonder how critics get to make a living, as it was delivered to perfection. And of course the 90s stomper ‘Torn’ was performed and gave us the biggest sing-along of the night. My personal all-time favourite Natalie Imbruglia song is ‘Beauty on the Fire.’  Unfortunately, the element of surprise was slightly dampened as people had told me it was on the list but when it finally came, the fire inside of me was ablaze and it was one of those moments where nothing else mattered but Ms Imbruglia singing that song live in the same room as myself.

Of course, definitely ready for anything on this night but the setting as beautiful as it was made us feel a bit restricted in terms of getting up on our feet, but in hindsight it also made it a beautiful affair as we sat and admired the true beauty of the setting and witnessing Ms Imbruglia strip back her songs for us.  Then after a lot of foot stomping and echoes for more, we really could not sit still any longer, as she returned to give us the beautiful ‘Butterflies’ to the slightly more upbeat ‘Intuition’, then ending the night on ‘Big Mistake’ – which was far from a big mistake.

I have enjoyed many concerts and a few I walk away saying that was one of the best but this night definitely was, as I have never sat through a gig smiling from ear to ear from the moment I walked into a venue to leaving.  Natalie Imbruglia is one of those artists that really does not get as much credit as she deserves and on the huge success of this tour, I really hope we get to hear and or course, see her live more.

 


Check out Natalie Imbruglia on Facebook, Twitter and Instagram

 

Through the eyes of Lil Vik

 

 

LIVE REVIEW. Otherkin at The Boileroom

Date: 23 May 2017
Venue: 
The Boileroom, Guildford
Genre: Grunge pop
Words: Steph Baker
Photography: Aaron Crawford

 

Tonight’s gig reminded me of why independent venues such as The Boileroom are so important to local communities and the music industry. Seeing live music, and having unique, memorable experiences at places like these, filled with welcoming and creative people is what it’s all about, right?

Bad Nerves

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The main support for Otherkin came on stage to a warm and building crowd. The first thing that made this East-London four-piece currently touring with Otherkin was the front-man’s pounding vocals. His voice travels up, down and all around, diversifying the band’s indie-rock tunes and bringing each one to life.

The crowd were engaged, and our night was kicked off with a frenzy of heavy riffs and catchy hooks, especially within the most recent single ‘Dreaming‘. This was one of the band’s final gigs with Otherkin, an yet you would never have known it with the amount of manic energy the guys brought to the room, the set was actually exhausting to keep up with, and that’s exactly how music like this is meant to be.

 

 

 

Otherkin

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Otherkin are a grunge-pop frenzy from Dublin who are… quite the experience. The four-man group came onstage looking rather un-disruptive but managed to turn a politely-bobbing-your-head-along kinda Tuesday night into a sweaty, bloody mess within their first track, ‘It’s Alright‘. The crowd were pulled to the front and brought up to the same level as the band while thrashing around to the infectious ‘Why Did You Treat Me So Bad‘. In today’s music scene, over-saturated with Libertines-wannabes and inauthentic boy bands, Otherkin proudly stand out by managing to genuinely connect with the audience and bring about an uproar with their ferocious hooks, passionate lyrics and attitude filled grunge riffs.

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As the country tries to digest and contemplate the truly horrific attack on a gig in Manchester, tonight’s gig is a bittersweet event. Otherkin stopped their set to express their thoughts and pay their respects, saying “Music should be a safe space for everyone” before everyone in the room took part in a minute of silence. After this emotional moment came to an end, the group summoned up all the energy they had in them with the next tune of the night, ‘Come On Hello’, something fun and positive to get everyone dancing again. Further along the night, the London boys invited everyone onto the stage, this was a moment of pure joy and madness for everyone at the Boileroom tonight, exactly what we needed. Hook-filled, manic pop tunes full of attitude and truthful tales. Otherkin are a truly class act, and a band that will inevitably continue to shake up venues across Europe this summer.

 


Listen to Otherkin’s latest Single ‘Bad Advicehere

The East-London boys are on Facebook, Twitter and Instagram

 

Baker Out

LIVE REVIEW. Jones at Hoxton Hall

Date: 3rd May 2017
Venue: Hoxton Hall
Genre: Soul-pop with electro
Words & Photography: Victoria Ling – victoria@137imaging.co.uk

Ever had an idea that looks perfect on paper and then when it happens you just think “this is actually crazy!” Well, I have had a few moments like this in my time. but on crazy scale this is near the top.

Tuesday 2nd May 23:50 hours, bus leaves Newcastle. It runs a little late and arrives into London 8:30am on the Wednesday.  This was fine by me as I had a whole day ahead of me. Fast forward to 7pm though and there I am at Hoxton Hall. From the outside it doesn’t seem like much, however I did not realize it had a floor and two tiers. Seeing as I had been on my feet for most of the day I went for Tier 1 above the stage. The only downfall was that the whole band was not in view, but to look down at the whole venue was a beautiful thing and we had the lady of the night, Jones center stage and that was all that mattered.

After waiting for nearly too long, the night began with Australian duo Geowulf and their dreamy pop sounds as people were still fluttering in deciding on if they had chosen the right place to enjoy the rest of the show.  The sounds of Geowulf, and their uplifting engagement with the crowd are sounds you can happily just put your feet up and enjoy.

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For Jones’ scheduled time the room was at capacity and you could feel the anticipation in the air. After a further 20 minutes of waiting not-so-patiently, it was a sigh of relief when the band of Jack Lawrenson (guitars) and Kieran Guy (drums) started playing and then when Jones herself stepped on the stage. A much-deserved rapturous applause welcomed her and the opening of ‘Rainbow‘ gets our hearts racing, with that big letter ‘J’ shining bright behind them all.

This night in May was dubbed as an ‘acoustic’ show but Jones tells us a few tracks in that during rehearsals herself and the boys got a bit carried away and that the rest of the night was going to be that little louder than previously advertised. We were treated to songs from her debut album ‘New Skin‘, released last October as well as a couple of new numbers from February’s ‘Acoustic‘ EP and recent collaborations. One of the biggest cheers of the night went to ‘Hoops‘ and a surprise mash-up of Zara Larsson’sLush Life‘ and Years and Years ‘Eyes Shut‘ took a lot of the audience by surprise and even had us pretty overwhelmed.

Seriously, is there anything Miss Jones cannot do?

13 copyLast year she put her own unique twist on Calvin Harris’s ‘How Deep Is Your Love‘ (and actually made me like the song!) As a songwriter, Jones is simple but poetic. As a performer, Jones mesmerizes you.  She’s one of those rare gems that could sing the phonebook and you would be in awe and her deliverance in the majestic Hoxton Hall adds that extra bit of magic. And just when the set could not get any better, we are graced with a choir for a few numbers. I am dumb founded like I am sure the rest of this sold-out is too as ‘Becoming, Walk My Way‘ and ‘Waterloo‘ are given to us.

Handful Of Gold‘ is Jones’ latest release in collaboration with Cazzette.  It’s a stomper of a track that takes you on another high. We are basically in a state of euphoria that when Jones leaves the stage and returns with just Jack for ‘Indulge‘ it was the perfect ending, that people were smiling as they were leaving and many waited around to make sure Miss Cherie Jones knew what a stellar job she did. I was on the verge of leaving the building as although people had trains to catch down the road, I had run for a coach back up to Newcastle and the next one was not due for another 8hours if I missed it. And as time had been on my side for the whole day, it would do so again that as I turned to leave, Jones came to see her fans and I got to thank her personally for a brilliant day in the Big Smoke and made it with 15minutes to spare and back to the day job not long after stepping off the coach.

 


Check out Jones’s ‘Acoustic’ here

Jones is also on Facebook, Twitter and Instagram

 

Through the eyes of Lil Vik

LIVE REVIEW. MUNA at Hoxton Bar & Kitchen // double gig

Date: 28th & 30th March 2017.
Venue: Hoxton Bar & Kitchen, London.
Genre: Dark Pop/Electro-pop.
Words & Photography: Victoria Ling.
The last week of March was dubbed as MUNA week, as the American trio came to London on a highly anticipated whistle stop trip to play the Hoxton Bar & Kitchen in East London. After having sold out the first date in less than 5 minutes, a second date was added which also quickly sold out – not to anyone’s surprise. It was definitely a hot ticket and I was lucky enough to be at BOTH dates.

Admittedly I am a bit late to the MUNA party, only having discovered them three weeks before the release of their debut album ‘About U’.  As soon as I heard ‘I Know A Place’ I found myself playing the album non-stopped and was hooked, thinking to myself, ‘am I getting too hyped too quickly?’ and ‘what if it is an anti-climax and I’ve got two shows to go to!’ Thankfully, I was not disappointed.


Tuesday 28th of March was the first night. It was a calm London day. I had stepped off a coach after an 8-hour journey and I could not contain the excitement in my bones.  We approached the venue and Hoxton Square was plastered with A2 posters of the debut album. We passed the members of the band in the bar. It was a case of do we/don’t we talk to them. As we plucked up the courage they parted. No worries we will catch them after the show. The queue escalated quickly. My friend who was gigged at HSB&K many times (this was my second and soon to be third) said this rarely happens. Doors delayed opening but we ran in as soon as they did. It was that kind of gig.

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There has been a lot of talk about the support act of the opening night.  I think a lot of the audience got word of this as it was pretty much packed as Lo Moon took the stage.  We were crammed in tightly for their indie-electro sounds and unfortunately for me there were a few talk-active people near to allow me to not enjoy it properly when Lo Moon were definitely giving it their all. For those that took and were allowed to take note, I can see why their live shows have been hyped and there was definitely something endearing about keys/guitarist Crisanta Baker.

With not that much more room, people still squeezed in. Even the tall people were reluctant letting their smaller counterparts in front of them. If it wasn’t hot enough already, we were ready to become a sweatbox. With a slight movement of the side curtain in the darkened room you could hear and feel hearts pounding then a tinkle of the synths and Katie Gavin’s opening lines of I Know A Place, the whole place is electrified and the band is jumping with every person in the place singing out every word, even the new lyrics, “I throw my arms open wide in resistance. He’s not my leader even if he’s my president,” a testament to Trump’s presidency.

A little place swap between Gavin and Naomi McPherson as McPherson takes lead on Promise. The intensity of this is enormous especially when Josette Maskin’s solo kicks in. Even the backing band of Scott Heiner (drums) and Brian Robert Jones (bass) are just as involved that they really are not a backing band, with Gaskin, McPherson and Maskin every single soul on that stage oozed charisma.

dTurning the tempo back up End Of Desire has the crowd jumping again and with the mention of new songs (Loser and In My Way) we get excited. In fact there is not one moment that MUNA or the crowd slows down. Well, until they have to wipe the sweat from themselves. It was actually a nice little moment between Gaskin and Maskin and the banter between the whole band is very inclusive of every soul inside of the venue. Speaking of inclusivity, the band requested that the toilets were ‘gender inclusive,’ and inclusive they were.  If you are unaware of MUNA, they are a political group. It is in their lyrics and it is apparent in a lot of their visual work. Their shows are inclusive of everybody. You could see it every which way you turned. A beautiful feeling.

Maskin then tells us it’s ‘covers’ time. She is very excited by this.  The other band members question this but as Gaskin leads Paramore’s Bring Me To Life the crowd go crazy. Yes, Josette! Thank You! Then they ‘go all LA,’ as Gaskin tells the crowd that we have been amazing singing along to every single word but if there was a time to really make our voices heard that time was now, as Loudspeaker literally booms into an explosive performance that at the end make all those at the front, reach and grab the stage décor of roses.

Thursday 30th March was the second night of this whistle stop trip.  The crowd gathered early again and the queue seemed to have grown quicker than Tuesday and with the heat wave outside, it seems no one was taking chances inside as the aircon was full blast as we entered.  

eElectro dance rockers, Otzeki opened with a promising set but then technical hitches came and cousins Mike and Joel laughed it off between them and the show went on…with more technical hitches and dancing in the middle of the crowd, which was very entertaining.  In parts it seemed a bit long but in all it was a fine performance to most of the crowd.

It seemed to be a more relaxed crowd, in that people were not pushing against each other but as lights went down and the music started the jumping started within the first second.  Noticeably Gavin even dressed ready to sweat and gone was her oversized T-shirt and in place was a bikini top.  

All members took notice again of the sell out crowd and asked if they were any returners – only a few hands went up – everybody in the know wanted to be there and some wanted to be there again and it seemed like Gavin, McPherson and Maskin could not quite believe it.  The energy that was there on the first night was here but with just that bit more intensity and that little bit more loudly but both were just as energetic. There did seem to be less banter on stage though but by watching each member you could still feel the chemistry between them, even with McPherson hidden from me behind the synths this time. The new songs went down just as well as the first night and the crowd and the vocals to Bring Me To Life seemed to go up a notch.  All words for every song from the album were sung back with passion.  What was not noticeable though was that every member on that stage was sick.  Many knew this was the case for Gavin but even with this and all the smiles back and forth it seemed they were on top form, even when they all come to the front of the stage for the second verse of Loudspeaker. How anyone was left standing after that performance with all the energy given is beyond me and with two shows in such a sweaty environment – let’s just say, and I quote, “something massive happened here” and all those posters that were plastered over Hoxton Square were gone BOTH nights.

 


Make sure to check out MUNA on Facebook, Twitter and Instagram and listen to ‘About U’ here

 

LIVE REVIEW. Middle Kids at Sebright Arms, London

Date: 15 May 2017
Venue: The Sebright Arms, East London
Genre: Indie-pop
Words and photography: Steph Baker

Lately, it seems that only once in a blue moon do you come across a band that not only pleasantly surprises you, but also manages to genuinely captivate a pub basement full of unsuspecting 9-to-5ers on a Monday evening. Tonight the Sebright Arms was graced with Middle Kids, the Sydney-based trio composed of Harry, drummer and bringer of all energy; Tim, the perpetually mysterious dude strumming in the corner, and the truly uplifting presence of front-woman Hannah. You know when you saunter into a gig not really knowing what to expect with a mate after work and then after hearing one chorus you realise you’re in exactly the right place, witnessing something really quite exciting? Yeah, that was what happened tonight.

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Many indie groups of late seem attached to the idea that in order to be the coolest kids around, you’ve got to strip back all personality from your live set, and look as angsty and misunderstood as possible. Sure, it’s a fine act for the first ten minutes, but it was refreshing to see a new band not give a shit about that and instead concentrate on making genuine connections being made with the crowd throughout their set. The authenticity in what they are doing and what they’re trying to achieve is clear. Recent hits such as ‘Edge Of Town’ and ‘Never Start’ nonchalantly tell their wise stories and bleed out bittersweet memories while also creating an infectious and simply fun vibe around the room. One song is all you need to both get out deeply-hidden frustration into the open, and also ready your care-free self to get pleasantly drunk on a Summer’s day – I reckon that’s the idea anyway.

And then we have tracks such as ‘Old River’ and ‘Your Love’, touching on more emotive confessions and melancholy moments. Middle Kids manage to seamlessly transport you from delicate moments of contemplation into dizzy whirlwinds of power and pounding guitar riffs, without blinking an eye. It’s no wonder that music royalty, Sir Elton John has passed on his seal of approval to this group ahead of their debut album – which the crowd were understandably excited to hear about. We also got to witness Hannah perform a solo track, which showcased her powerhouse vocal range and ability to fill the room with only one instrument and a set of very raw lyrics.

The final few songs of tonight, which included the new track ‘Mistake’ brought the crowd a stirring mix of easy-going folk-pop and spontaneous melodic madness. With a taste of what’s to come with the debut album, this Aussie trio is surely one to watch and definitely one to seek out live, whether it’s around Europe, or Down Under.

 


Check out the debut EP here and give them some love on Facebook, Twitter and Instagram

 

Baker out.

 

 

 

 

 

LIVE REVIEW. Natalie McCool at The Cluny 2 with Katsi and Mat Hunsley

Date: 16th March 2017.
Venue: Cluny 2, Newcastle
Genre: Alt-pop
Words and Photography: Victoria Ling


North East newcomers, Katsi started the night bringing their haunting harmonies with a few original numbers and selected covers of Fleetwood Mac, Britney Spears and TLC. With Katsi’s interesting mix of minimal guitars and carefully constructed vocal layers, this could be a duo to watch out for.

I was quite anxious for the next support as I had heard great things about their music and even met them but and never actually seen what they could do. What was to come? Would it be an anti-climax or would I like them as much as those who had recommended them so highly? Mat Hunsley is the artist in question and he was everything we wanted and more. He begins solo and then his set becomes “instantly happier” as drums and bass join him – his words not mine! With both set-ups he was captivating as he performed a set of original folk material with an indie undertone.

unnamed (5)Having seen Natalie McCool on her last tour on the back of a successful Pledge Music campaign for her magical debut album The Great Unknown’, I was very excited to hear she was coming back to Newcastle to coincide with the release of her single ‘You & I’.  McCool oozes stage presence wherever she goes and with drummer Laura and keys player James added to the mix, there’s that extra bit of fierceness to the set up. Kicking off with the energetic ‘Magnet’ sets the tone of the night and with a slight technical hitch early in the set of tangled wires before her poppiest song of the night, ‘Cardiac Arrest’, McCool still has it under control and the audience still engaged. I mean if you don’t loose your shit getting tangled in wires and pulling out your mic, you have a lot to be admired for. Even with the slight confusion over the set list, everything is calm and the show goes on. This is what I love about Natalie McCool live and with the company of her band on stage – the joy and chemistry between them is so genuine. Everything is free flowing and everything is so real.  These little hitches make YOU feel more engaged so when the songs about Natalie’s exes are performed you feel like she has caught that bit of you in the performance…. that is if you have had an ex!

Highlights of the night were definitely ‘Sorry Sight’, a new song and ‘Feel Good’, from the album. Sorry Sight has a slight touch of Florence and The Machine as Natalie’s vocals do some impressive acrobatics. We are told it might get a release and if it does I will be the one shouting about it.  Feel Good is a personal favourite. Great on the album but when you witness it live, it is like an out-of-body experience – you can feel that guitar, those drums and the keys just get under every part of your skin. Basically, everything you want to feel at a live gig whatever the genre of music – Feel Good is one of those few moments for me.  Then Natalie tells us ‘Fortress’ is going to get a release soon with an added choir. Can you imagine that performed live? Brilliant with this three-piece set up but add that choir and I might just loose it when I next see Natalie McCool live, as I was on the verge of it this night.

 


Make sure to check out Natalie McCool’s new single You & I here. You can also follow her on Facebook, Instagram and Twitter.

 

Through the eyes of Lil Vik

LIVE REVIEW. The Sherlocks at Wedgewood Rooms with support from Crown Of Thieves and Jordan Allen


Date:
February 23rd
Venue: Wedgewood Rooms, Portsmouth
Genre: Indie/alternative
Words and Photography: Martina Di Gregorio

The Sherlocks, the fast growing indie band from Sheffield, played at Wedgewood Rooms in Portsmouth as part of their tour that is selling out impressively fast considering they have only been signed for three months.

Crown Of Thieves kicked off tonight’s gig slowly warmed up the audience with some hard rock music and light hearted jokes. The leading vocalist went from sitting down and drinking his beer during the bassist’s solo to passionately bending to the ground during his high notes – definitely was an interesting way of starting the night!

They were followed by Jordan Allen, who did a perfect job of engaging the audience through their intense performance. They did not stray away from the audience, not even post-set as Jordan signed merch for all those people that rushed to purchase their new EP, ‘Living La Vida Loca in Bolton’. The band never gave up on making the audience scream for them, and the efforts certainly paid off.

But the real highlights of the night were of course The Sherlocks, who stole the spotlight and proved just why they have risen so high so fast. The set started with ‘Last Night’, and the lead vocalist, Kiaran Crook, didn’t miss a single note while balancing his trademark stage presence with vocal performance. The crowd grew increasingly excited with every track, screams erupting every time they announced the next upcoming song. It was impossible to stay still in the sea of people jumping around and swaying to the electric beat in the Wedgewood Rooms tonight.

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Fan favorite ‘WIll You Be There?’ was the fourth song played and everyone simultaneously lost it in a moment, understandably. But the track of the night had to be ‘Live for the Moment’. As Kiaran encouraged the chorus reprise, bassist, Andy Davidson took over the stage and deployed his best tricks, grabbing the attention of everyone in the room. Josh Davidson and Brandon Crook were solid performers as well. The chemistry between the band is incredible, you can really see the authenticity in the band members’ connections and nothing could have stopped them tonight.

There was no need for the band to even try to encourage engagement from the crowd tonight, as they were already jumping and screaming within an inch of their lives. They even played new songs such as ‘Nobody Knows’ and ‘Candle Light’, giving the audience a taste of what to expect as The Sherlocks continue to grow and experiment with their sound.

The penultimate song was their most recent single ‘Was It Really Worth It?’ and once again the audience were completely engrossed. They are definitely on the path to becoming big with their ever growing fan base and packed out gigs. With the amount of shirts thrown onto the stage, the summer should bring about class festival performances. The Sherlocks’ increasing on-stage confidence also shows as the band power through technical issues and sound malfunctions, nothing can stop them now. Tonight, the Bolton lads were full of energy and certainly did not disappoint dedicated fans or sceptical newcomers. 


The Sherlocks have just announced another tour, check out all the details here. You can also show your love on Facebook, Twitter and Instagram

Make sure to also check out Crown Of Thieves and Jordan Allen

 

MDG

 

 

LIVE PREVIEW. Why You Need To See The Magic Gang play The Green Door Store

Date: 13 April 2017
Venue: The Green Door Store, Brighton
Genre: Alternative Rock

If there’s one thing we love, it is the showcasing of authentic and interesting talent in independent music venues, and Bushmills ® Irish Whiskey have announced that it is launching a nationwide tour to do just that featuring: We Are ScientistsThe Magic Gang, VANT and The Wytches.

The Bushmills Tour’ is part of the #AnswerTheCall campaign that aims to showcase creators, artists, entrepreneurs from the music industry and beyond to showcase their talents and inspire others to fulfil their true calling. The Music Venue Trust have reported an estimated 40% of music venues closing in the past 10 years – which sucks – so here, Bushmills are aiming to celebrate these iconic venues that remain the lifeblood of the UK music scene – which is great!

One of the UK’s most impressive new bands, The Magic Gang are going to be kicking off this tour at the Green Door Store in Brighton next month as part of this tour. With irresistible tunes such as ‘How Can I Compete‘, and ‘Jasmine‘ are sure to be lashed out to the budding Brighton crowd, and with the Summer just about on the horizon, now is the perfect time to get a glimpse into what the festival favourites are going to have in store.

It is bands such as The Magic Gang that are so important within alternative music (no matter what flavour of alternative is the one for you) as they are continuing to emphasise the importance of independent music venues as well as the huge sweeping festival fields and stadium halls. So yeah, it’s pretty important and it’s gonna be pretty cool.


Tickets for the full tour are now available through Dice

See you at The Green Door Store next month!

 

LIVE REVIEW. Martha Hill live at The Cumberland Arms

Date: 18/02/17

Venue: The Cumberland Arms, Newcastle.

Genre: Alt folk/blues

Words and photography by: Victoria Ling


One girl. One cello. Ceitidh Mac instantly silences the room as she takes to the strings and held us there for her full set that included a cover of John Martyn’sOver The Hill’. Cietidh is an artist that engages with her audience to a point that they are hesitant to move in case of unwanted disruption or missing a second of the performance. What an attentive audience…well at least for the opening act.

Hailing all the way from the North West in Manchester and joining the tour in the North East of Newcastle is Pip Fluteman (with fellow musician James on guitar and fiddle) This duo followed on from Ceitidh and brought something entirely different to the stage. Pip has us laughing and in some parts of his set and goes as far as declaring James as single which is met with some of the audience getting straight onto Tinder. It’s quite refreshing really how effortless Pip’s stage presence it, his performance is on point but the real connection with the audience comes from his talks in between songs, he’s really not afraid to drop a few jokes in here and there. His explanations of songs such as Dandelion Days’ and ‘She Was The Circus’ has the audience laughing, but also struck with admiration as his set is delivered with passion and clear brilliance.

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It was finally time for the main act of the evening, with the room now at full capacity and many being turned away at the door.  Martha Hill is becoming quite a name and definitely has a following here in the North East, as soon as she stepped onto the stage and opened with ‘Reborn’, you could feel the electricity fill the room. As a photographer, it became increasingly hard as every inch of the floor was taken up by everyone who was lucky enough to get a ticket. The third number of the set, ‘Traveller,’ sees the return of Ceitidh and the addition of Shannon on the keys, both creeping quietly onto the stage whilst front woman, Martha plays on. Everyone is so consumed that it is like the appeared from nowhere as all eyes and ears are fixated on center stage. Martha herself goes from the guitar to the drums and in doing so becomes quite theatrical and majestic. The crowd does become more animated in their engagement with a few cheers here and there while also remaining attentive with a roar of appreciation for ‘Blue Moon’, her debut single released just before Christmas. It is ‘Boom’ however that brings in the audience participation of a few finger clicks that go with the song.

As Martha and her band exit the stage you could still feel an electric buzz from the audience. By the look on Martha’s face, it is like she simply cannot believe this reaction.  Martha takes a spot on the stage by herself and treats the audience with a final song, an old folk classic of the North called ‘Geordie’. This seems fitting considering Martha has become an adoptive Geordie and this night on the Newcastle leg of her tour – a great homage to both the artist and the audience.


Make sure to check out Martha Hill’s single ‘Blue Moon‘ on Soundcloud now.

You can also catch her live in Edinburgh on 16 March. Check out her Facebook and Website for updates.

 

Through the eyes of Lil Vik