EP REVIEW. The Coathangers – Parasite

Release Date: 30 June 2017 (Digital out now)
Genre: Garage Punk
Rating: ★★★★
Words by: Steph Baker

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The Coathangers are not new faces on the scene, with their first entrance being over a decade ago. However, the Atlanta trio are starting to attract the ears of new listeners, with their latest offering ‘Parasite’, and from the opening riffs of the title track, it is clear why. Often bands and their fans alike get stuck in a rut of familiarity and routine when it comes to new releases, but surely we should embrace a change in songwriting and musical styles, as it reflects the journey that the band continues on every day. Humans change with experience, time and moments of reflection, and so too should creative endeavours, guitarist Julia Kugel even states “I’d like to think the PE takes you on a journey through the band’s existence“.

The opening track, ‘Parasite‘, seems to be a much-needed rant to get built up aggression of The Coathangers’ chest, “I don’t want parasite, keeping me up all night… I don’t want parasite, eating me from the inside out!” The raw and rowdy song is just over a minute long, and does not mess around in getting things straight before the girls continue with the EP in peace. Interestingly, the vocals seem somewhat softer in the following song ‘Wipe Out‘ (still unbridled and not to be fucked with, don’t worry), perhaps expressing a more content time within the band’s development.

17904105_1308631595840779_9156523798918359088_n.jpgThe third track, ‘Captain’s Dead‘ is full of wise words coming from someone who is clearly over your bullshit. The lyrics “Easy come and easy go, what you reap is what you sow” are sang over punk guitar lines that send you into a daze that will spin away all of your previous cares. Grimy bass-lines are carried onto into the next track, along with an empowering punk chorus that is reminiscent of the crooked hooks that made us fall in love with the Coathangers in the first place.

This five-track offering ends on quite a somber and melancholy tone. ‘Drifter‘ has dark melodies and a simple electric strumming, and is still as incessantly catchy as the rest of the tracks. Julia, Meredith and Stephanie have grown up together and have developed their art together, this EP perfectly showcases that journey. From moments of (partial) content and maybe a hint of love? to screaming and pent-up rowdiness that we all need to expel – In either case, it’s exactly what you need.


Listen to Parasite here

Make sure to give The Coathangers a follow on Facebook, Twitter and Instagram

The Atlanta Punk trio are also touring the Europe, check out dates below:

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INTRODUCING. Cameron Avery with debut album review – Ripe Dreams, Pipe Dreams

Release date: 10 March 2017
Genre: Experimental blues/folk
Rating: ★★★ 1/2
Words by: Scott Murray

With such an emphasis on production in the modern era, vocals have seemingly fallen to the back burner. This is not the case for Perth’s Cameron Avery. His debut album ‘Ripe Dreams, Pipe Dreams is a truly beautiful offering thanks to Avery’s transcendent vocals, with the entire album highlighting vocal qualities reminiscent of Jeff Buckley. This, paired with Avery’s poignant lyrics of longing and loss, create a dramatic vocal landscape.

That is not to say that Avery’s production suffers as a result, to the contrary Avery has created a striking instrumental landscape filled with sounds not of the modern age. His use of strings, horns and even an organ is shockingly refreshing in an industry filled with synths, and generic drum beats.

This old school sound shines in the albums fifth track, ‘Big Town Girl’, a soulful ode to Jane, the girl running circles in Avery’s brain. Avery drives this home in the song’s forth verse.

“You know I’ve never had the time to wait around for a dame, but if I knew that we could make it I’d wait around for Jane”.

The track begins with a swell of an organ before being joined by thoughtful guitar and minimalistic percussion. Avery’s voice then cuts through the instrumentals in what feels like an instant, but lasts in your ear for far longer.

A standout of this track is the pain in Avery’s voice, constantly oozing his longing and eventually his loss. These two themes can be heard throughout the record, no more so than when Avery croons “Could I suit her better, than that dark blue sweater? Probably not.”

There isn’t a tune on the record that manages to escape Avery’s titanic wave of despair, every track dips its toe into the deep pool of Avery’s pining. This coupled with Avery’s seeming opposition to contemporary sound has allowed Avery a unique opportunity to let his lyrics to take the fore.

However, there are tracks that seem entirely independent of this sound. The album’s third track ‘Dance With Me’ highlights this through its neo-western sound, similar to that of Nick Cave & The Bad Seeds track ‘Red Right Hand’.

As well as this there are tracks that give glimpses of Avery’s psych rock pedigree. Avery, Tame Impala’s touring bassist and a former member of Pond, briefly lets his roots show in the album’s two busiest tracks ‘The Cry of Captain Hollywood’, an entirely instrumental track that is as rousing as it is peaceful, and ‘Watch Me Take It Away’.

Watch Me Take It Away begins with pulsing, almost sitar-esc guitar before the track takes flight with a swarm of rhythmic clapping and heavy short bursts of guitar and rapid fire percussion. This ensemble becomes a tapestry that allows Avery to highlight his range whilst also allowing his powerful lyrics to shine. The track follows Avery’s growth as he grasps that he need not waste his time on relationships without mutual respect, starting the third verse with the glass shattering realisation that his time is as important as anyone else’s. “I aint got time for your perversions, I spend my time transcribing versions of the truth”.

Overall the album is musically undefinable, and yet astoundingly beautiful. There is something ethereal about Cameron Avery’s voice that creates a sense of hope, despite the distinct sense of loss seen through almost all of his lyrics. This is a fantastic first effort from a talent that has been hidden behind a bass guitar for far too long.

 


Listen to the highly anticipated debut album from Cameron Avery here
Also make sure to check him out on Facebook, Instagram and Twitter

 

S.M.

 

INTRODUCING. ArchiveX with single ‘Hard Times’

Regardless of tastes and preferences, ArchiveX will prove to be one of the most intriguing and alluring artists on your radar right now. You will understand why when you listen to the anonymous artist’s most recent single (released last week), ‘Hard Times‘ (link below).
This California-based artist is a tough cookie to crack: is he a gospel angel? Is he hip-hop? Is that a bit of mowtown thrown in there? No one knows. But we want more. The most recent single, ‘Hard Times‘ is making its rounds and being picked up by people all over the place, it is the perfect introduction to the powerhouse of soul that is ArchiveX. We begin with a very old-school piano melody being set down as the foundations of this track, it’s then continuously build upon with bass bringing the depth needed to suck us in. Then all of a sudden, just when you start to fall into a daze due to the artist’s irresistibly soulful vocals, telling us heartbreaking tales we get thrown into a reverb-heavy bass drop out of nowhere as the vocals go to the next level of crazy.

On the other side of the spectrum, upcoming single ‘Drink The Water‘ is a whole different story. With classic blues vocals reminiscent of the likes of Percy Mayfield and Ray Charles, and a sharply contrasting bassy undertone to the whole affair, you begin to wonder how one artist is capable of plucking themes and sounds from a melting pot of influences to create such a varied repertoire. If these completely distinct singles are anything to go by, ArchiveX’s debut album ‘Some Ungodly Hour‘ set to be released later this summer should be something very interesting and distinct from anything else.

 


 

Give ArchiveX a listen and make up your own mind here:

Music Video of latest single ‘Hard Times‘ here

 

Some more ArchiveX magic:

ArchiveX is also on facebook and twitter

 

Baker out.