EP REVIEW. The Coathangers – Parasite

Release Date: 30 June 2017 (Digital out now)
Genre: Garage Punk
Rating: ★★★★
Words by: Steph Baker

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The Coathangers are not new faces on the scene, with their first entrance being over a decade ago. However, the Atlanta trio are starting to attract the ears of new listeners, with their latest offering ‘Parasite’, and from the opening riffs of the title track, it is clear why. Often bands and their fans alike get stuck in a rut of familiarity and routine when it comes to new releases, but surely we should embrace a change in songwriting and musical styles, as it reflects the journey that the band continues on every day. Humans change with experience, time and moments of reflection, and so too should creative endeavours, guitarist Julia Kugel even states “I’d like to think the PE takes you on a journey through the band’s existence“.

The opening track, ‘Parasite‘, seems to be a much-needed rant to get built up aggression of The Coathangers’ chest, “I don’t want parasite, keeping me up all night… I don’t want parasite, eating me from the inside out!” The raw and rowdy song is just over a minute long, and does not mess around in getting things straight before the girls continue with the EP in peace. Interestingly, the vocals seem somewhat softer in the following song ‘Wipe Out‘ (still unbridled and not to be fucked with, don’t worry), perhaps expressing a more content time within the band’s development.

17904105_1308631595840779_9156523798918359088_n.jpgThe third track, ‘Captain’s Dead‘ is full of wise words coming from someone who is clearly over your bullshit. The lyrics “Easy come and easy go, what you reap is what you sow” are sang over punk guitar lines that send you into a daze that will spin away all of your previous cares. Grimy bass-lines are carried onto into the next track, along with an empowering punk chorus that is reminiscent of the crooked hooks that made us fall in love with the Coathangers in the first place.

This five-track offering ends on quite a somber and melancholy tone. ‘Drifter‘ has dark melodies and a simple electric strumming, and is still as incessantly catchy as the rest of the tracks. Julia, Meredith and Stephanie have grown up together and have developed their art together, this EP perfectly showcases that journey. From moments of (partial) content and maybe a hint of love? to screaming and pent-up rowdiness that we all need to expel – In either case, it’s exactly what you need.


Listen to Parasite here

Make sure to give The Coathangers a follow on Facebook, Twitter and Instagram

The Atlanta Punk trio are also touring the Europe, check out dates below:

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CAMDEN ROCKS FEST REVIEW – The Cribs

Date: 4th June 2016 (Camden Rocks Festival)

Venue: The Electric Ballroom, Camden.

Genre: Indie/Garage-rock

Rating: ★★★★

 

So after a long day, of varying bands and tightly-packed venues, it was finally time for the naughties indie-rock legends to grace The Electric Ballroom and headline Camden rocks. Everyone was there to see it: committed fans, the convinced-at-the-last-minute and other bands who had played gigs today. Apprehension grew fast and relentless chants of “Wakefield” were getting louder and louder – but they were eventually met with a delivery of the good stuff. As the infamous Yorkshire Jarman brothers walk onto the stage and nonchalantly start playing their guitars, there is (as predicted) instant moshing, of the drunken, rowdy kind. 

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It’s only when seeing twins Gary and Ryan Jarman strum out their aging hits and scream down the mics, that you realise something about bands like The Cribs. They are a lucky by-product of musical crowd mentality. Their indie tales of shitty towns, young love and apethy are far from unique, bands had been doing it long before them (the likes of The Strokes and The Libertines to name a few) and bands were doing a remarkabley similar act since them (almost every up-and-coming indie-rock artist), and yet with their relatable image and knack for getting people riled up, they have transformed, and maintained their status of being one of the biggest cult bands in the UK. This is not to take anything away from The Cribs as an act, as you could not deny the incredible atmosphere that was instantly achieved at the Elecrtic Ballroom tonight, the crowd was a blurring swarm of chanting, shoving and jumping – the perfect rowdy mess that you would hope for at a gig like this. It is something that can only be achieved with a level of authenticity from bands such as The Cribs, however it is clear when watching them from a certain perspective that they are not doing anything overly different from the myriad of bands that showcased their talent and hunger across Camden Rocks today – and yet it is just working for them.

Notorious hits such as ‘Mirror Kisses‘ and ‘Men’s Needs‘ created a adoring crowd reaction unmatched by other attempts. People were simply manic, in the best possible way and this is what tonight was all about at Camden Rocks. The Cribs’s moment in the limelight represented everything that the bands who played today (regardless of genre) want to get to, and the kind of endless, and seemingly effortless success that The Cribs aren’t going to get sick of any time soon. This ‘you-had-to-be-there’ sort of cult atmosphere tonight just proves how important band identity and following is, to the point that it often surpasses the importance of the music quality (especially with indie music).

 

 

The Cribs’s are on twitter and facebook, check ’em out.

 

(All images: Steph Baker)

 

 

Baker out.